Walter Benjamin wrote that 'All great works of literature either dissolve a genre or invent one.' In this interactive session, participants will learn the components and theories of genre — including a brief survey of Protocol Fiction — and then experiment with creating their own sub-genre using a scaffolded interactive genre-building process. Using the 4 Jamverse founding worlds as examples, participants will wield the skills gained in the first two talks to outline their own 'PF subgenre' set in the Jamverse. Contributions from the session may even be installed into the Jamverse or lay the…
Simone Cicero of Boundaryless presents O2A (Open Organisation Alliance), a proposed open standard for making organizations 'composable' by replacing implicit coordination mechanisms like hierarchy and meetings with an explicit, machine-readable contract graph of units, offerings, and relationships. He argues the protocol's compact grammar—three economic primitives (purchase, revenue split, investment) plus composition mechanisms—can represent bespoke institutional arrangements like Haier's Rendanheyi model or joint ventures as 'sentences' in a common organizational language, becoming essential as AI agents enter firms and transaction costs collapse.
Most teams 'adopt AI' by buying new, and mostly untested software, then wait for a productivity jump that never shows up in the numbers. That missing productivity is the signature of the stage we are actually in: the Kit phase. Every general-purpose technology — the steam engine, the Model T, the PC — passes through it: loose components people tinker with, repurpose, and master by doing, long before anyone builds the firm-scale machinery that turns tinkering into measured output. Farmers ran corn shellers and water pumps off jacked-up Model Ts for years before Ford watched them and built the…
Sachin Benny argues that AI modernity is reorganizing our relationship to the past the way industrial capitalism reorganized our relationship to the future, coining 'Archival Time' as a condition where traces of prior events become retrievable without recreating the event. He contrasts this with Bakhtin's 'Carnival Time,' bounded periods where accumulated traces lose authority and things get unmade and remade, drawing on William Sewell's eventfulness framework (path dependency, temporal heterogeneity, contingency) to argue eventful history requires a mix of both archival inheritance and carnivalesque rupture.