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Curate Your Own Pipeline

Article Amita

Stanley Chen, a science fiction author who co-wrote AI 2041 with Google China's CEO, describes his hybrid writing process where he uses LLMs as essential tools but rewrites every line they generate, believing current models are insufficient as both writers and literary judges. The interview explores his practical experience with different LLM models for fiction writing, including their strengths with language-specific features like Chinese punctuation, and his philosophy of using AI as a collaborative partner rather than a substitute for human creativity.

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Article

A Sea of Distributed Ai

This issue features worldbuilding analysis of the AI-generated film South Beast Asia, examining ten core traits designed to explore distributed AI systems through a Southeast Asian-inspired lens developed at the Khlongs & Subaks workshop. The piece unpacks how fictional 'strange rules' address questions of AI distribution while the issue also hosts a guest talk with AI Snake Oil author Arvind Sarayanan.

AI article fiction

Sam Chua

Article

A Government Guide to Open Protocols

Public sector institutions can escape the false choice between proprietary vendor dependency and expensive in-house development by adopting open protocols, which distribute control across multiple actors and allow governments to understand, participate in, and adapt their digital infrastructure. European governments are increasingly implementing open protocols for messaging, digital ID, and cross-border services as a way to achieve digital sovereignty while reducing both software costs and geopolitical exposure.

article governance protocols

Kelly Roegies

Talk

A Protocol Fiction Protocol

Venkatesh Rao presents a theory of 'protocol fiction' as a genre distinct from both heroic fantasy (Ted Chiang's 'special people') and science fiction (Chiang's 'strange rules'), arguing it uniquely captures how humans transform alongside technological/institutional change rather than merely reacting to it or resisting it collectively (per Ursula Le Guin's 'carrier bag' model). He traces this through modernist literature, detective fiction, and Asimov/Dick/cyberpunk eras, then outlines three ways protocols appear in fiction (authorial process, central theme, background device), before Travis Van Epps and Sachin Benny discuss their own protocol-fiction writing experiments, including LLM ping-pong drafting techniques and story ideas drawn from DAO governance and care-package logistics in Venezuela.

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Venkatesh Rao, Travis, Sachin Benny, Timber